tag:blogger.com,1999:blog-4763142739363261812024-03-04T20:53:55.749-08:00Changing SpacesMy blog is a place to view visual art projects that I am currently developingJonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.comBlogger36125tag:blogger.com,1999:blog-476314273936326181.post-31384955429621306862020-07-08T07:36:00.001-07:002020-07-19T12:12:31.543-07:00After The Fire<div class="separator" style="clear: both; text-align: center;">
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<b><span style="font-family: Arial, Helvetica, sans-serif;">ANNIVERSARY FIRES CREATIVITY AT THE MALL WALTHAMSTOW<o:p></o:p></span></b></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;">NEW SCULPTURE LIGHTS UP THE MALL WALTHAMSTOW<o:p></o:p></span></b></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;">REMEMBRANCE THROUGH CREATIVITY AS THE MALL WALTHAMSTOW
MARKS A SIGNIFICANT ANNIVERSARY<o:p></o:p></span></b></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">Local
artist and sculptor, Jonathan O’Dea is set to unveil an impressive two-metre
sculpture at The Mall Walthamstow on 22 July 2020 to mark the anniversary of
the fire, which swept through the shopping centre a year ago. <o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">At
approximately 7.40am on 22 July 2019, a large fire broke out at The Mall. Although
there were no fatalities, half of the roof collapsed and the shopping centre
sustained extensive damage, which meant that it was unable to reopen until September.<b><span style="color: red;"> </span><o:p></o:p></b></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">Entitled
‘After the Fire’, the commemorative work of art was crafted from the remains of
the blaze and is now displayed near the Town Square entrance of The Mall, near
CeX and Sports Direct. Jonathan, who lives just metres from the shopping centre
and witnessed the fire from his back garden, used charred wood from the burnt-out
roof to produce the sculpture.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">During
creation of the poignant sculpture, Jonathan filmed himself over a six-week
period, beautifully capturing the key stages of development. The time-lapse
video is set against a haunting soundtrack, recorded by folk musicians, Michael
Walsh and Liz Hanks. <o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">“It
acts as a small window into the creation of art and culture, which often goes
unseen by the public,” says Jonathan.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">As an artist, Jonathan is well known for his use of recycled building
materials. For previous projects, Jonathan gathered materials from the
construction of the Olympic Park in East London and the city’s Crossrail
Project. <o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">Jonathan explains: “My interest in using recycled materials is
connected with my experience of working in the construction industry. The short
time I spent working on the Jubilee extension line in the 1990s had a profound
impact on me and later shaped my ideas and thinking around art.”<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">The concept of regeneration – turning something old into something new
- resonates throughout Jonathan’s work and this latest project for The Mall,
adds to the narrative. It also reflects the culture of his hometown of Walthamstow,
which has seen huge changes over the last 15 years. Jonathan reflects on these
changes by exploring how regeneration can impact our sense of identity and
visual culture.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">“Jonathan
is a hugely talented artist and it is wonderful to see something so creative and
inspiring come out of the fire. It has been a very difficult year for The Mall Walthamstow,
with the devastation of the fire and the impact of Covid-19 but this is a very
positive sign that we are moving on and looking ahead to the future,” comments
General Manager, Rebecca Bird.</span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">The
sculpture will remain on display in the centre and is also available to
purchase. Jonathan has generously agreed to donate 50% of his fee to The Mall’s
chosen charity, the Retail Trust. Anyone who is interested in purchasing ‘After
the Fire’ should contact Jonathan via his website at <b>www.jonathanodea.com.</b></span><span style="font-family: Calibri;"><o:p></o:p></span></span></div>
Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-84065005225865297032019-04-11T07:14:00.004-07:002019-04-11T07:53:09.833-07:00In - Out: Exhibition of new artwork by Jonathan O'Dea and Neil Irons<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US"><br /></span></b>
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US"><br /></span></b>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzJONCGzW_2i2gXRRyi8uwew07rXG27PZ4899zsA5l44auprEyM1JNxZlCEvQtfFGbekYD0_iRjWwsSDoxT3wHvdzfJEnYh3IYDVm8_YVFSjplMKjNi3PAOej8wIoRR9KPLKUEc-TiGmg/s1600/DSC_0294.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1267" data-original-width="1600" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzJONCGzW_2i2gXRRyi8uwew07rXG27PZ4899zsA5l44auprEyM1JNxZlCEvQtfFGbekYD0_iRjWwsSDoxT3wHvdzfJEnYh3IYDVm8_YVFSjplMKjNi3PAOej8wIoRR9KPLKUEc-TiGmg/s320/DSC_0294.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Work by: Jonathan O'Dea</td></tr>
</tbody></table>
<span style="mso-bidi-font-weight: normal;"><span lang="EN-US">Artists,
Jonathan O’Dea has teamed up with fellow artist and friend, Neil Irons to </span></span><span style="mso-bidi-font-weight: normal;">display a series of artwork that explores
human’s impact on our environment, both physically and psychologically with an underlying
political aspect to it. The artwork ranges in styles and techniques, from
painting, drawing and sculpture. The exhibition will form part of the program
of events that marks the first London Borough of Culture in Waltham Forest. The
London Borough of Culture is supported by the Mayor of London.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsbacarAsb6W2PbA1MjFAnhmXR4WJVAtM-sd7kEWYp5i7EVyjQBDEGsNL64PWikkG9WLQRYbW5HvlQflGEnej-hfJekTPLWP0v4N9sgopHLlIys3vvuzIqR3rccwLxiXJQIONWF8H50pw/s1600/csee-ni2.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="812" data-original-width="726" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsbacarAsb6W2PbA1MjFAnhmXR4WJVAtM-sd7kEWYp5i7EVyjQBDEGsNL64PWikkG9WLQRYbW5HvlQflGEnej-hfJekTPLWP0v4N9sgopHLlIys3vvuzIqR3rccwLxiXJQIONWF8H50pw/s320/csee-ni2.jpg" width="286" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Work by: Neil Irons</td></tr>
</tbody></table>
<span lang="EN-US"><br /></span>
<br />
<br />
<span lang="EN-US">Binary choices appear to be part of the
norm, where in today’s world there feels to be very little room to sit back,
stop and think about what the other options could be. In the name of progress
time to stop and think is secondary. Part of this binary process encompasses
political decision-making, where if tough decisions aren’t made now, with clear
and decisive leadership, progress will take a backward step. The need to do
things ‘now’ doesn’t give room for choice or options. The pace this progress
has taken, especially in East London over the last 20 to 30 years has seen many
social and physical changes where we have forgotten what a normal pace of life
is. In some ways Jonathan O’Dea and Neil Irons have been part of this change, where,
as artists their profession has been become a marketing commodity to help sell
East London as up an and coming area. But the one thing about both of these
artists, is that their work has always been truly reflective, mindful and sceptical
of the impact of these changes from a physical and psychological view. They
have remained dedicated to what it really means to be an artist, to sit back,
stop and think about what art is really about, and how its informed. There is
no binary process to their methods of working, they are truly part of the slow
art movement; their work is considered and always timely. There is no thread
setting going on here.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6i7Vg_BP5EfcH5L73d-pHn2XrSglB_FOGO75nkguP96Kxg7OMxFXfhGojObvLlO6_s4lFNQqnjKitu_2MsJAOPcJShtp75KWZpw0kO7w6saRBYgQnq0OkdacPNGhJSXYEjd5ro5Xizsw/s1600/A5+Flyer+Front.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1129" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6i7Vg_BP5EfcH5L73d-pHn2XrSglB_FOGO75nkguP96Kxg7OMxFXfhGojObvLlO6_s4lFNQqnjKitu_2MsJAOPcJShtp75KWZpw0kO7w6saRBYgQnq0OkdacPNGhJSXYEjd5ro5Xizsw/s320/A5+Flyer+Front.jpg" width="320" /></a></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTqi_6-0EkAdcMBumNvBWs46qM9TPmeDBsQqzeUHtEIXoXR-AxvizefME3f0fpcUAzAOywZM2-uf6ne6Muf4Ue5yjv0RSxlJ6u2Dk6OZPw1of8nELlc4_e3vlHjGBupZ07uXaRWcv9NCg/s1600/A5+Flyer+Back.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1129" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTqi_6-0EkAdcMBumNvBWs46qM9TPmeDBsQqzeUHtEIXoXR-AxvizefME3f0fpcUAzAOywZM2-uf6ne6Muf4Ue5yjv0RSxlJ6u2Dk6OZPw1of8nELlc4_e3vlHjGBupZ07uXaRWcv9NCg/s320/A5+Flyer+Back.jpg" width="320" /></a><span lang="EN-US">Jonathan and Neil’s recent work are
reflections on their place in urban London, and how this city has impacted on
their sense of identity and creativity. This is reflected in their physical
work, which isn’t your run of the mill landscape paintings, or sculpture.
Instead you get a raw feeling from their work, were you sense that things
aren’t quite right with their world. To add to this, both artists have a very
out-ward looking view of the world with a very European aspect to their
identity, but yet retaining their sense of personal identity with their respective
birthplaces. Jonathan moving to London from rural Ireland in 1987 with his
family, and Neil moving from Dundee to London in his early 20’s in the same
year. <o:p></o:p></span></div>
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<span lang="EN-US">However, recent binary choices such as the
referendum on Europe, to be ether to be In or Out, has brought political
decision making into question. This binary choice has only exposed a long
festering wound were people have for some time questioned their place in their
wider environment which has now taken the form of Brexit. This binary issue is
clearly reflected in Jonathan’s and Neil’s work where it explores the idea of 2
worlds in which you feel you have to either choose to be in one place or the
other. Very much like how the regeneration of East London has forced people to make
a stark choice, either be part of something or just disappear. However this
binary process does not always provide you with options to choose; you are left
floating between two worlds. Something that is very apparent in Jonathan and
Neil’s recent work.</span><br />
<br />
<span lang="EN-US"> <o:p></o:p></span></div>
Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-22706847816007753842018-03-01T04:08:00.001-08:002018-03-01T04:08:15.811-08:00St Mary's Bell<div class="MsoNormal">
<h3>
<span style="font-size: 14.0pt; mso-ansi-language: EN-GB;">New
sculpture produced to help fund-raise for the restoration
of St Mary’s Church in Walthamstow Village, East London</span></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1lf5F4anoAj4yykStLhyphenhyphennDzQyjhCxgAbw-pN__EC6g7If423M7VwyH28y8_WTUks9WvA3xoiPSm2oZzTMT9DKKjQyRQ1c-8U0uoqiPzztTb9wd-OgiznOJKrX58TWn4bGlvKSOIeFJcY/s1600/St+Marys+Bell+2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1347" data-original-width="1600" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1lf5F4anoAj4yykStLhyphenhyphennDzQyjhCxgAbw-pN__EC6g7If423M7VwyH28y8_WTUks9WvA3xoiPSm2oZzTMT9DKKjQyRQ1c-8U0uoqiPzztTb9wd-OgiznOJKrX58TWn4bGlvKSOIeFJcY/s200/St+Marys+Bell+2.jpg" width="200" /></a><br />
<span style="mso-ansi-language: EN-GB;">For my newest piece, I have taken materials from the restoration work at St Mary’s to create a
work </span><span style="mso-ansi-language: EN-GB;">reflecting on the idea of a bell tower. A clapper forms the centrepiece,
while the supporting frame is created from the wheels that once turned the
bells. Old pulling ropes are incorporated to provide a visual reminder of the bell
ringers and the sound of peals over the village.</span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSIZ9eRUD0lUkuCplpXV6FWi9b9p8hNY6gaLcSUGQd4iNLvWlWmKxzkYC6Cu-2m4dupwWPck7NIu14FfCRmGbF2NbtjcwcNq2Fq-ubXHmOd4W8I6JcS42S8b_YdLDWqrGUwbp0-k1DxV8/s1600/St+Marys+Bell+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="515" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSIZ9eRUD0lUkuCplpXV6FWi9b9p8hNY6gaLcSUGQd4iNLvWlWmKxzkYC6Cu-2m4dupwWPck7NIu14FfCRmGbF2NbtjcwcNq2Fq-ubXHmOd4W8I6JcS42S8b_YdLDWqrGUwbp0-k1DxV8/s640/St+Marys+Bell+1.jpg" width="203" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZcGwdhmNjZ2Z-xPI1SokA23hsKXGAw6ymSLYWL4BNrpnjaKTcmATDtFkbzdUpx7Q-O1aLN58-xrNeXQq74mq1P0-v8b0BGPBm-LH5Gh9v-6JmXmo5R0IfNtSbF3z16U_baV1IChdwm1U/s1600/St+Marys+Bell+3.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="866" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZcGwdhmNjZ2Z-xPI1SokA23hsKXGAw6ymSLYWL4BNrpnjaKTcmATDtFkbzdUpx7Q-O1aLN58-xrNeXQq74mq1P0-v8b0BGPBm-LH5Gh9v-6JmXmo5R0IfNtSbF3z16U_baV1IChdwm1U/s400/St+Marys+Bell+3.jpg" width="215" /></a><br />
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<span style="mso-ansi-language: EN-GB;">This is an exciting
time for St Mary’s as it sets out to become a new venue for arts and culture. The
aim is to sell the artwork to raise money for the restoration of other parts of
St Mary’s bell tower. </span><br />
<span style="mso-ansi-language: EN-GB;"><br /></span>
<span style="mso-ansi-language: EN-GB;">The sculpture certainly provides a fitting
celebration of the history of St Mary’s as it sets out on a new chapter of its
history in the centre of Walthamstow Village. </span></div>
Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-39122447386636966472017-10-13T07:14:00.000-07:002017-10-13T08:34:48.687-07:00Going Underground: Art that explores the development of Crossrail<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCgls3r5QLo1B5VArK4d5Iz5TOws6nUlb88mGFZngq_gu8sEtQMFV7vI5uq92brkxoWBsuKoZX1VA4zFNNV6WAePYpzWKb777hhHhUzWHE91TbqLhPBV318Ku5t1grageu49RTzLGGmHA/s1600/Jubliee+Line+North+Greenwich.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="308" data-original-width="462" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCgls3r5QLo1B5VArK4d5Iz5TOws6nUlb88mGFZngq_gu8sEtQMFV7vI5uq92brkxoWBsuKoZX1VA4zFNNV6WAePYpzWKb777hhHhUzWHE91TbqLhPBV318Ku5t1grageu49RTzLGGmHA/s400/Jubliee+Line+North+Greenwich.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The location for North Greenwich Station</td></tr>
</tbody></table>
<h2 style="text-align: center;">
Abstract Art and Engineering</h2>
<h4>
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<span lang="EN-US">In the summer of 1996 I had a summer job on
the Jubilee Extension Line doing general manual work. I don’t think I fully
realise then what I was working on in relation to the scale and ambition of the
project. At the time it was probably one of the biggest infrastructure projects
in the UK. I just viewed it as another summer job to get by before heading of
to University. <o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrkO2WVrv9YuUpcNnBqlIyPZcy4cxkur3QIujiGe73O9CzZFZxS2BtMO1mSVSg4-vn5_wxuwiYHRLTGoKE0aKHC4u7OL7Jgvm6slso6UNn_1jLNZMfwW0FAcQnPo6k4QErAZpUNlKQGAs/s1600/ec%253Furl%253Dhttp%25253A%25252F%25252Fwww.sir-robert-mcalpine.com%25252Ffiles%25252Fproject%25252F437%25252FJL_det.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="308" data-original-width="462" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrkO2WVrv9YuUpcNnBqlIyPZcy4cxkur3QIujiGe73O9CzZFZxS2BtMO1mSVSg4-vn5_wxuwiYHRLTGoKE0aKHC4u7OL7Jgvm6slso6UNn_1jLNZMfwW0FAcQnPo6k4QErAZpUNlKQGAs/s320/ec%253Furl%253Dhttp%25253A%25252F%25252Fwww.sir-robert-mcalpine.com%25252Ffiles%25252Fproject%25252F437%25252FJL_det.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Groundwork at North Greenwich Station</td></tr>
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<span lang="EN-US">On the Extension Line I was part of a
gang of men laying the miles and miles of cables that powered the tube lines
from Stratford to North Greenwich. Although most of the stations were near
completion by the time I arrived on site, North Greenwich Station was still a
hole in the ground, leading down into the vast openness to where the new
platforms were located. There was no physical station above ground at this
stage so temporary stairs constructed from scaffolding poles and boards made
access to the platforms and tunnels.<o:p></o:p></span></div>
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<span lang="EN-US">As you started to descend, the
magnificence of the space and its engineering was clearly on display partly
down to the fact that the wall panels had not been installed at this point. I
could see the rawness of the materials which was used in the construct of the
shaft leading down onto the platforms, and from there into the tunnels. You
could see the steel and concrete lining which stopped the tons of London clay
from collapsing into the shaft and tunnels. I could see every nut and bolt that
held everything into place, and every cable of every size that powered every
machine and piece of equipment. Below my feet on the temporary stairs I could
see the service locomotives moving in and out with materials and equipment; one
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<span lang="EN-US">Although there was a good 20 years
between the completion of the Jubilee Extension and the start of Crossrail
those memories are still clear in my head. So when it was announced that
Crossrail was finally going ahead, this got me a bit excited. I thought this
could be my opportunity to use my experience on the Jubilee Extension Line to
explore new ideas for artwork around Crossrail. I used my networks and contacts (<a href="http://www.invennt.com/" style="text-align: start;">http://www.invennt.com</a>) and within a couple of weeks I was able to get some surplus materials, distant
for the scrap yard. In addition I was given a short tour of one of the sites used
to construct the Crossrail Tunnel in East London. This gave me an insight into
aspects of the engineering methods and materials used in its construction. <o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji6xtF8lgJKroAkCzM0gxcRL7K9bVxnxbM2Wjp84hiU_xrDi9DrgDz_5aALtj77msH6yc77riNp0BdnxdA73oXHgTDyDARSGGRmG-hJyHb7kQlL8NSqEdqV-r1s6Lm0H9pZJFPfzLq60s/s1600/DSC_0006.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="1072" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji6xtF8lgJKroAkCzM0gxcRL7K9bVxnxbM2Wjp84hiU_xrDi9DrgDz_5aALtj77msH6yc77riNp0BdnxdA73oXHgTDyDARSGGRmG-hJyHb7kQlL8NSqEdqV-r1s6Lm0H9pZJFPfzLq60s/s320/DSC_0006.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Some of the surplus materials used in the construction of Crossrail</td></tr>
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<span lang="EN-US">Once I had the materials back in my
studio I didn’t really have a clear idea in how I was going to set about
creating a sculpture/sculptures. But the one thing I did have in mind was that
I wanted to create something that wasn’t my typical format (which was a wall mounted
sculptures).<span style="mso-spacerun: yes;"> </span>It had to be freestanding,
and reflect the aesthetics of the engineering of the tunnels of Crossrail.
Because the materials I got from Crossrail , 36 cm long galvanized screw bolts
and wood for shuttering were finite I had to develop an idea that utilised what
I had at hand. I assembled different shaped and sized wood sections to create the
lower part of the sculpture. Once the substructure was made I began to carve
into it in order to create an organic feel, and a sense of movement.<o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinvi3WAODS8uD1X1StSc1HKhABXRIpLAGZIwa2Bpa1goraZ37jncs_2qy9cNDoOutaZXvIh16mkiLuMnBvdD1sfJ5uhpHTiEU7zcczYedhYesKqazuI2Mcht-x7tGXt-HmDz9RyKj2YzA/s1600/IMG_1095.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinvi3WAODS8uD1X1StSc1HKhABXRIpLAGZIwa2Bpa1goraZ37jncs_2qy9cNDoOutaZXvIh16mkiLuMnBvdD1sfJ5uhpHTiEU7zcczYedhYesKqazuI2Mcht-x7tGXt-HmDz9RyKj2YzA/s320/IMG_1095.JPG" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Me caving the lower part of the sculpture</td></tr>
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<span lang="EN-US">The 36 cm bolts were interesting objects
to play around with, to physically try and bring the bolts to together to
create the form I wanted? As the plinth was now very organic in shape, I wanted
to continue this feel with the construction of the bolts.<o:p></o:p></span></div>
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<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgacJfzn62CMSoLSgWgLKilAAeYwaEOlfaRDIZcgbLAQEfVWLJJlDyHSJRHBsTLmae_eB2gH2Mh0NJcdy9OSDjo_DTLvc7RVTK_fu_RpWgkrtYVV017-rud3co4eNhZEPZoYWqfSPBSsxo/s1600/IMG_1091.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgacJfzn62CMSoLSgWgLKilAAeYwaEOlfaRDIZcgbLAQEfVWLJJlDyHSJRHBsTLmae_eB2gH2Mh0NJcdy9OSDjo_DTLvc7RVTK_fu_RpWgkrtYVV017-rud3co4eNhZEPZoYWqfSPBSsxo/s200/IMG_1091.JPG" width="150" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The beginnings of the substructure</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6zg0vXNV4aUxmXtnHPq_1e29SwWloHwIYTsYfRC4wGRruQ7QPiKWg6OES2s1upxPlOxyv1lQkLiDHVdLu8TncY7kf3mf7qNpXJQ9lX1r2R8AiHJhwTt8uXiEyDM0auPauz-PnSD6Svwg/s1600/IMG_1355.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6zg0vXNV4aUxmXtnHPq_1e29SwWloHwIYTsYfRC4wGRruQ7QPiKWg6OES2s1upxPlOxyv1lQkLiDHVdLu8TncY7kf3mf7qNpXJQ9lX1r2R8AiHJhwTt8uXiEyDM0auPauz-PnSD6Svwg/s320/IMG_1355.JPG" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Experimenting with the 36 cm bolts</td></tr>
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<span lang="EN-US">One of the technical issues I was
starting to understand from the outset was the issue of physics. Because each
bolt was quite heavy I had to keep in my mind literally the balance between,
height, angle and area, to ensure the final artwork was well constructed and
stayed upright. Because I didn’t want to create a sculpture that was straight
up and down, but something that came swooping out at an angle to create that
organic feel, I had to implement an element of physics and engineering. Apart
from the materials I was using, this is were the engineering of Crossrail and
my art started to really come together. The engineering term, cantilever was
never far from my mind when constructing the sculpture.</span></div>
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<span style="text-align: justify;"><br /></span>
<span style="text-align: justify;">Although the final artwork could be
described as abstract in form, every aspect of it was planned and considered.
The materials didn’t necessarily allow you to make to many happy mistakes
because of the technical requirements of making it physically stay up and
secure. It was also important to create something that was clearly artistic
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<br />
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Although I approached this project as a
bit of an experiment, by the end of the process I managed too achieve something
more than that. I managed to create a freestanding sculpture that incorporated
many technical skills, combining engineering and art into a single piece of
artwork. Aesthetically the sculpture works were it manages to celebrate the
materials and its connection to one of the biggest infrastructure projects in
Europe, Crossrail. With this sculpture completed I am now looking forward to
producing my next series of sculptures using materials from Crossrail.</div>
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<tr><td class="tr-caption" style="text-align: center;">View of the final sculpture</td></tr>
</tbody></table>
I would like to say thanks to <span style="font-family: inherit;"><span style="font-style: inherit; font-variant-caps: inherit;">Brendan Morahan and Tim Fitch from </span></span>Invennt<span style="font-family: inherit;"><span style="font-style: inherit; font-variant-caps: inherit;"> who were a great support to me on this project. </span></span><a href="http://www.invennt.com/">http://www.invennt.com</a><br />
<br /></div>
<br />
<br />Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com4tag:blogger.com,1999:blog-476314273936326181.post-6820448869397916752016-05-02T07:46:00.000-07:002016-05-02T07:46:26.508-07:00Recent work and exhibition<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixUjYiYeu6ZmpFxXsmk9Z-awq8TZr0WFSZRdwi237lVN9YrfK1Q7Bwm8roiSQ8x8vgzuG8VhuyK6D6j1duPXm2hvkGqx2u29GKAUKVtvC__cVGPEwm4BnZ5XrkZyfcMvqwiXYO7gVVdhY/s1600/DSC_0086-2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixUjYiYeu6ZmpFxXsmk9Z-awq8TZr0WFSZRdwi237lVN9YrfK1Q7Bwm8roiSQ8x8vgzuG8VhuyK6D6j1duPXm2hvkGqx2u29GKAUKVtvC__cVGPEwm4BnZ5XrkZyfcMvqwiXYO7gVVdhY/s320/DSC_0086-2.jpg" width="252" /></a></div>
Over the last few months I have been exploring further the reuse of materials typically used in the construction of buildings. These are examples of new mixed media work which will be shown in group exhibition along side fellow artist from the Lloyd Park studios. The preview of the exhibition is on the 2 June 2016 from 6-9pm at the Winns Gallery, Lloyd Park, Walthamstow, E17 5JW. The exhibition continues until 5 June. The opening times are from 12-6pm. The nearest tube is Walthamstow Central.<br />
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<span id="goog_2041830552"></span><span id="goog_2041830553"></span><br />Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0Winns Gallery, Lloyd Park, Walthamstow, London E17 5JW, UK51.593374399999988 -0.0218867999999474751.590908399999989 -0.026929299999947469 51.595840399999986 -0.016844299999947472tag:blogger.com,1999:blog-476314273936326181.post-14068943594478053742015-08-13T08:47:00.000-07:002016-02-03T00:36:04.489-08:00New artwork to celebrate the refounding of the London Irish Cultural Centre<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDA7oiwLMCGhqfh7VvLvCZIfi7ZX7HEXVXmhZkE03wyBQcqYrF9H5edpVAcbKY1lqklItlEvNuHjuKy9B6tx8Hj7BYRKH9Q1JwfE4kv9L1LoxGRRyynXo-xzIiA2fd0UncANNVsY0XVFg/s1600/IMG_0190.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDA7oiwLMCGhqfh7VvLvCZIfi7ZX7HEXVXmhZkE03wyBQcqYrF9H5edpVAcbKY1lqklItlEvNuHjuKy9B6tx8Hj7BYRKH9Q1JwfE4kv9L1LoxGRRyynXo-xzIiA2fd0UncANNVsY0XVFg/s320/IMG_0190.JPG" width="240" /></a><br />
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<tr><td class="tr-caption" style="text-align: center;">Practice run: soldering for the first time</td></tr>
</tbody></table>
<span lang="EN-US">A few months ago Collette Mackin, director of the Irish Cultural Centre
in London asked me to donate a piece of artwork to help raise money for
the redevelopment of the Irish centre in West London, <span style="font-size: small;">my</span> response was no.
Instead I suggested that I would produce a specific piece of art, which
reflected the development new centre and its aspirations to promote ground
breaking, contemporary culture.</span><br />
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<div class="MsoNormal">
<span lang="EN-US">My first thought was to produce a
sculpture using recycled building materials from the development of the new
cultural centre. But when I met Collette over lunch
to discuss the idea she had other ideas. From under the table Collette proceed to pull out a
large heavy bag to asking me, “Can you do anything with these”? I
opened the bag and peered into it, to find a large quantity of keys. The keys
came from the old cultural centre, demolished to make way for the new building.
Each key unlocked, doors, cabinets, storage space, lockers, filing cabinets and
other locks of other descriptions. I took the bag, not knowing whether I could turn the keys into the artwork that I hand in mind.</span></div>
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<span lang="EN-US">Apart from the significance of the keys I also had to
deal with the technical aspects of bringing the keys
together in a way that was going to be interesting. Keys are 2
dimensional so
trying to produce a 3D piece of artwork was not going to be
straightforward.
One of the underpinning aspect to my technical approach is to use every
day objects which are familiar and turn them into artworks that are
simple in
tone and colour but yet have great depth and perspective. Its about
creating simplicity and complexity at the same time in order to draw the viewer in. With
this I set about developing the artwork were I created a work with all
the above qualities. From a conceptual level I has </span><span lang="EN-US">managed to generate a
narrative with the artwork were it could be suggesting that this is the key to
unlocking new contemporary culture, something that will be main ambition and
driving forces of the new Irish Cultural Centre into the further.</span></div>
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<br />Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com1tag:blogger.com,1999:blog-476314273936326181.post-64065101478646474832015-07-08T09:52:00.002-07:002015-07-08T09:52:14.832-07:00Walthastow Garden Party 2015<div class="separator" style="clear: both; text-align: center;">
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<br />
<span style="font-size: large;">Sat 18 and Sun 19 July 2015</span><br />
<span style="font-size: large;">Lloyd Park</span><br />
<span style="font-size: large;">Forest Road</span><br />
<span style="font-size: large;">E17 5JW</span><br />
<br />
<a href="http://www.walthamstowgardenparty.com/"><span style="font-size: large;">http://www.walthamstowgardenparty.com/</span></a><br />
<br />
This year I will be working in partnership and participating in this years Walthamstow Garden Party which is produced by the Barbican and Create, and is a Waltham Forest event. The Garden Party is free event which brings together national and international artists.<br />
<br />
I will be helping to open the doors once again to the Lloyd Park Studios which make up a packed programme across the whole weekend which will feature music and dance stages showcasing international and local talent, a story pavilion presenting local artists, writers and performers in an uniquely intimate space, stalls and workshops from local designer-makers in the Useful and Beautiful Craft Marquee and the Real Food Festival’s extraordinary range of street food from across the world.<br />
<br />
The Lloyd Park Studios sit at the heart of Lloyd Park just to the back of the award winning William Morris Gallery <br />
<br />
This year’s Walthamstow Garden Party follows a very popular first year in 2014, which saw 34,000 people celebrate the summer in Lloyd Park. The Barbican and Create once again join forces with Waltham Forest Council to repeat last year’s success delivered in partnership with local organisations.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT4ZV_1rs8fQ8YpbUi8CWMA-3UdfbLtgtssP9ajOfYPbtWpiq07vKIhpECh9S69jc-sbBgx9rkFpBoixH9fAmqzSKzkE-YvnLlABiyHefjja48oC33MpYNY0nraNazjRAAW0uE1VGyGc8/s1600/Create.gif" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT4ZV_1rs8fQ8YpbUi8CWMA-3UdfbLtgtssP9ajOfYPbtWpiq07vKIhpECh9S69jc-sbBgx9rkFpBoixH9fAmqzSKzkE-YvnLlABiyHefjja48oC33MpYNY0nraNazjRAAW0uE1VGyGc8/s1600/Create.gif" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a>Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0Walthamstow, London E17 5JW, UK51.593374399999988 -0.0218867999999474751.590908399999989 -0.026929299999947469 51.595840399999986 -0.016844299999947472tag:blogger.com,1999:blog-476314273936326181.post-870603472174024562015-05-04T00:35:00.002-07:002015-06-17T02:34:07.533-07:002015 E17 Art Trail<h2>
Me and the E17 Art Trail 2015: See link for details </h2>
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<a href="http://www.e17arttrail.co.uk/index.php?page=101&passed_index=247">http://www.e17arttrail.co.uk/index.php?page=101&passed_index=247</a></h4>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFWsJ3FRc1M3Rl41gmME83Vgqkytu0PFJ21PVc3qk6uW_JrREamDiCIJFcM26bWdTwRNrPZdpLXtjWUvGSBOeA8t9JDoS8nF5PxZojgVeZ5qugR5Z71Ab71JOibmvna_Cph0h11A3HY9s/s1600/DSC_0025-2+copy.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFWsJ3FRc1M3Rl41gmME83Vgqkytu0PFJ21PVc3qk6uW_JrREamDiCIJFcM26bWdTwRNrPZdpLXtjWUvGSBOeA8t9JDoS8nF5PxZojgVeZ5qugR5Z71Ab71JOibmvna_Cph0h11A3HY9s/s400/DSC_0025-2+copy.jpg" width="400" /></a>I am pleased to say that I will be part of this years E17 Art Trail. This will be my 5th year taking part in the Trail and I will be opening my new studio to show some of my most recent artwork. My studio is housed in the Lloyd Park Studios behind the Award winning William Morris Gallery.<br />
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The preview will be from 6 - 8pm on the 12 June. The studio will be open to the general public on 13 and 14 June from 12 - 6pm. The address is Lloyd Park Studios, Lloyd Park, Forest Road, London, <a href="https://www.google.co.uk/maps/place/Walthamstow,+London+E17+5EH/@51.5928631,-0.0202477,17z/data=%214m2%213m1%211s0x48761de798600443:0x5a1801e6a2cdd987" target="_blank">E17 5EH</a> <br />
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The E17 Art Trail is now one of the key cultural events in London. Now in its 11th year the Trail has played a vital role in Waltham Forest's cultural profile. The event has created an annual focus for the Borough where Waltham Forest has establish a clear identity were you can feel part of a wider community. The Art Trail has also helped to create a strong argument on the how cultural events and activities can further social and economic regeneration of an area. The major efforts to save and revitalise the William Morris Gallery with funding was secured to bring this now major cultural venue back to life is a central part of cultural regeneration in our borough. <br />
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One of the major assets that underpins the Art Trail each year is the artists, of course I would say this because I'm one of the artists. But an art trail wouldn't be an art trail without art and the artists that create it. A lot of personal time and resources goes into producing the artwork and the events that showcase the artwork. We all have personal reasons as artists why we get involved in the Art Trail but I think the common denominator for us all is that the E17 Art Trail is a great way of creating public engagement around our work and practice. The general public has a great opportunity to see some of the best artistic talent in London for FREE, and to buy a piece of cultural at an affordable price.<br />
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But the E17 Art Trail wouldn't exist if it wasn't for the efforts of Laura Kerry, Morag McGuire and Cris Thompson and its supporters. On a personnel level the Art Trail has become a major event to be involved in as professional artist and I hope to be involved at some level over the next 11 years. Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0William Morris Gallery, 531 Forest Road, Walthamstow, London E17 5EH, UK51.5908253 -0.02217080000002624751.589219299999996 -0.024692300000026247 51.5924313 -0.019649300000026248tag:blogger.com,1999:blog-476314273936326181.post-21943654828012632512014-05-01T11:29:00.001-07:002016-02-03T00:37:27.172-08:00Chicken Surprise<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5hX9sGyl5_iI7UiH_bRFqBb1qMdYpZMaK-C-k_ff04K0aJacHO1a-XbfTnCXmDtN01gWR9il6Q30HIBRWh_76n9DFzKUppnxr0NajqW8OQ0_yNU0thlBukU_wwvUC2A4ZJPSoOuxhpJ8/s1600/Chicken+Suprise+2014.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5hX9sGyl5_iI7UiH_bRFqBb1qMdYpZMaK-C-k_ff04K0aJacHO1a-XbfTnCXmDtN01gWR9il6Q30HIBRWh_76n9DFzKUppnxr0NajqW8OQ0_yNU0thlBukU_wwvUC2A4ZJPSoOuxhpJ8/s1600/Chicken+Suprise+2014.jpg" width="544" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chicken Surprise, Chicken Bones on Board </td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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In 2014 I created a new piece of artwork for the <a href="http://www.e17arttrail.co.uk/index.php?page=101&passed_index=332" target="_blank">E17 Art Trail</a> called Chicken Surprise. <br />
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<span lang="EN-US" style="font-weight: normal;">For the E17
Art Trail I was invited by <a href="http://www.e17arthouse.com/" target="_blank">The E17 Art House</a> to produce a new
piece of artwork which explores the theme of Zoology. With
this I focused my attention on chicken and the consumption
of this zoological animal. I constructed the artwork from discarded chicken bones to reflect the idea that
Walthamstow is visually dominated by chicken takeaways, in turn
impacting on our visual culture.</span><br />
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Although this piece of artwork is a slight departure from my general theme, the basic premise is the same: collecting discarded materials and turning the objects into art. The reason I decided to explore the use of chicken bones for this exhibition was based on a campaign by my local authority (Waltham Forest which they ran 4 years ago) on the plight of fast food chicken shops. At the time the Council was concerned about the amount of chicken shops springing up along our high streets and there easy reach of schools. There was obvious issues of concern at the time around healthy eating among young people which coincided with the approach of the Olympic Games. Although the campaign to control the amount of chicken shops in the borough was short lived the greatest irony's was that a branch of Nando's opened its doors to the public in late 2014, in a development approved by the Council. Obviously some chicken shops are better than others, what a surprise.<br />
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Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-72274819504714804082014-02-02T11:30:00.001-08:002014-02-02T11:30:52.722-08:00Recent peace of artwork: Burning Back the Layers<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ42znnv2zgcPv45cxedrFSgehv0BTylDIkDB2Vbm1Lc0Kc5L68HK7GeouUpqm_vqa_rqONbUirKmFV_Uthcvkt5iq0x-AxgcY5kNnf69JZosblrP8cO7qRsvs8D7obGRPVVOwci4lJoQ/s1600/DSC_0025-2.jpg" height="212" style="margin-left: auto; margin-right: auto;" width="320" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Burning Back the Layers, Front View</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKqGv1Jc2RGlBd6NUmhangwdDpX_-1QSax84MI9Wrpv4Fkj_iM9l_zIloEkMLB5-2FSAIBSWYhm9aprjaems3LPOlED6gkUNMwaUTlkjEBzUz9Is8KYEHinCrzHhibbxZ_EndbXFSyLZ4/s1600/DSC_0031-2.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKqGv1Jc2RGlBd6NUmhangwdDpX_-1QSax84MI9Wrpv4Fkj_iM9l_zIloEkMLB5-2FSAIBSWYhm9aprjaems3LPOlED6gkUNMwaUTlkjEBzUz9Is8KYEHinCrzHhibbxZ_EndbXFSyLZ4/s1600/DSC_0031-2.jpg" height="279" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Burning Back the Layers, Left Side View</td></tr>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">One of the objectives behind 'Changing Spaces' was to use the project as an opportunity to experiment with new materials and techniques. In September 2013 I was invited by a gallery in East London, <a href="http://www.e17arthouse.com/upcoming-show-book-marks-art-exhibition" target="_blank">The E17 Art House</a> to show a piece of my work in a group show using the theme of books. For someone who doesn't read that much (for good reason which will be made clear later) this was going to raise the question, of what to produce for the exhibition? In addition I had problems trying to identify current work from my portfolio that would fit the into the theme of the exhibition. With this I had decided to produce a new peace for the show. </span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7QhIxl8b8JJhNsUnBjgIur37o3C78YB7-8UiUWXZIXi6vo0RveXlg83FfemQa9pTILHP4MpWJGtbSG4-KlFwts44Ncqc9CcnrtfZusJQqBZht0oxDU_O3H_SIB5ggvZz-WZa066GdRR8/s1600/DSC_0022-2.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7QhIxl8b8JJhNsUnBjgIur37o3C78YB7-8UiUWXZIXi6vo0RveXlg83FfemQa9pTILHP4MpWJGtbSG4-KlFwts44Ncqc9CcnrtfZusJQqBZht0oxDU_O3H_SIB5ggvZz-WZa066GdRR8/s1600/DSC_0022-2.jpg" height="252" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Burning Back the Layers, Right Side View</td></tr>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">For some, reading is a form of leisure in
order to unwind or relax. For me reading is the </span></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">complete opposite. Reading is
like burning back the layers of my brain in order to find the part which helps
me understand what is been said or conveyed on the pages of a book. As someone
who has dyslexia I have to have real cause to read or write, it’s a
process, which does not come naturally to me. With this, I tend to only read
when it has real application to what I do. Part of this practical application
is reading information relating to my practice as an artist. To reflect this
practical application I constructed this peace of art from a series of
catalogues in relation to passed exhibitions of my work. For someone who doesn't read much I do love books, but books do not love me.</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Although this piece
of art has no direct association with my project, Changing Spaces, it does have a link to
the general theme of my work which is regeneration; turning something
old into something new. In this case turning old exhibition catalogues of my work into a pece of 3D art. If I hadnt found a use for the catalogues they would have found there way into the bin.</span></span><br />
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On the 27 January I will be speaking at the <a href="http://www.neoponic.co.uk/creativexpo/" target="_blank">Creative XPO</a> at Rich Mix which is organised by <a href="http://www.cida.co.uk/" target="_blank">CIDA</a></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV4PMwl_z3njEvDuWkVQC0nlNFLmLh4NM6fzYvYx8rQl5GF4IGYMg_axX3IyzPYiwMBeithTykE7dcKdWcV0eiAygSleQT1RxWjvmlHl3DOYP3TpvZQ-1thhq1rLdr0AZJMMeqT9PngEQ/s1600/CreativeXPO+image%5B2%5D.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV4PMwl_z3njEvDuWkVQC0nlNFLmLh4NM6fzYvYx8rQl5GF4IGYMg_axX3IyzPYiwMBeithTykE7dcKdWcV0eiAygSleQT1RxWjvmlHl3DOYP3TpvZQ-1thhq1rLdr0AZJMMeqT9PngEQ/s1600/CreativeXPO+image%5B2%5D.jpg" height="283" width="400" /></a></div>
I will be discussing the development of my project, 'Changing Spaces', talking about the concepts and <br />
context behind the work. The artwork from the project is currently shown at <a href="http://www.richmix.org.uk/whats-on/event/changing-spaces-jonathan-odea-exhibition/" target="_blank">RichMix</a>, were the exhibition will form part of the programme at Creative XPO.<br />
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This will be great opportunity to find out more about my work and to ask questions in relation to my practice.<br />
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If you would like to attend please follow the link to register for free <a href="http://www.neoponic.co.uk/creativexpo/" target="_blank">Creative XPO</a>Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-13214929875937216682013-11-26T01:05:00.002-08:002013-11-28T03:50:46.339-08:00Solo Exhibition at Rich Mix in East London<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO41h_m8YfwN159eyu7XFMkUVuBbX52pQ1WfkZhbcNDwP2YXZOOcKo7jawuw7Np5rGMeDAExfig0qGmBaTTSvKaFdo9gN2pcpliDl1Ful2biljvXTYXdf4ZBRHUY3fR3A4JVJCD2__Srg/s1600/RichMixlogo_website.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO41h_m8YfwN159eyu7XFMkUVuBbX52pQ1WfkZhbcNDwP2YXZOOcKo7jawuw7Np5rGMeDAExfig0qGmBaTTSvKaFdo9gN2pcpliDl1Ful2biljvXTYXdf4ZBRHUY3fR3A4JVJCD2__Srg/s320/RichMixlogo_website.jpg" width="320" /></a></div>
My next solo exhibition of 'Changing Spaces' will be shown in London's leading cultural arts centres, Rich Mix. <br />
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The exhibition opens to the public on the 6th January 2014 and continues until the 31 January.<br />
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If you would like to attend the the Preview on the 9th January please contact me.<br />
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Please see the Rich Mix web-site for more information.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil_GsavEkzi698ZpxFjuWtWOMOEZpasZaFIeqi8DSlSJxsVdT1xruASAbA-s-x4y26IB-qaI0wFEFnMHJJVnr6NWE1EBmCVcTjyRFCdl68RpnC82EtPY1XunX80Evzl-c1uhc1qoSgc5U/s1600/richmix_map.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil_GsavEkzi698ZpxFjuWtWOMOEZpasZaFIeqi8DSlSJxsVdT1xruASAbA-s-x4y26IB-qaI0wFEFnMHJJVnr6NWE1EBmCVcTjyRFCdl68RpnC82EtPY1XunX80Evzl-c1uhc1qoSgc5U/s320/richmix_map.jpg" width="320" /></a><a href="http://www.richmix.org.uk/whats-on/event/changing-spaces-jonathan-odea-exhibition/">http://www.richmix.org.uk/whats-on/event/changing-spaces-jonathan-odea-exhibition/</a>Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-91680798444312462302013-09-23T09:20:00.000-07:002013-09-23T09:23:34.461-07:00Solo Exhibition at the Tokarska Gallery, London<h3>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipBTcAyFeRHPgS_itYpjJj4k9Bnsnh9vlEni3KkeUpguLiz9dFy0cv-iKvG59y_T-Gh4tXwdc1XZN3pOItN2978p711Aj1eL3p2KftDQjU6rWPgLw8JSxQJXMAjgVdJj5e7h348p9ZwoE/s1600/Industrial+Landscape+1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipBTcAyFeRHPgS_itYpjJj4k9Bnsnh9vlEni3KkeUpguLiz9dFy0cv-iKvG59y_T-Gh4tXwdc1XZN3pOItN2978p711Aj1eL3p2KftDQjU6rWPgLw8JSxQJXMAjgVdJj5e7h348p9ZwoE/s320/Industrial+Landscape+1.jpg" width="223" /></a>I have great pleasure to inform you that I have been invited to show my work in a solo exhibition at Tokarska Gallery in East London. See the gallery web-site for more detail. </h3>
The exhibition will show the artwork created for my project ‘Changing Spaces’ which received funding from
Arts Council England and support from the Lee Valley Park Authority.
The project focused on the visual impact of the development of the
Olympic Park created and its relationship with the Lee Valley Park. From
this concept Jonathan produce a series of ten 3-dimensional abstract
works that interacts with the changing environment around the Olympic
Park and its inherent connectedness to the wider context of the 26 mile
long, 10,000 acre Lee Valley Regional Park. Using recycled building
materials and found objects from both of these parks I created a
number of wall-mounted sculptures that explore regeneration and the
natural and industrial history of the area. <br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYMjbuk2CAx6hcwX1cDprQD4ejiglaLetpatoF3B_cfVjCWc-0nt48BP3U_Ahe5bKZoNzhvgdIYvsEudtrDd-fC-_B5Tum1Q9qaDLSOW8CpuydDjWyedIcZWDzjo_MafLVho0ZBRXw_V8/s1600/Profile+Picture.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYMjbuk2CAx6hcwX1cDprQD4ejiglaLetpatoF3B_cfVjCWc-0nt48BP3U_Ahe5bKZoNzhvgdIYvsEudtrDd-fC-_B5Tum1Q9qaDLSOW8CpuydDjWyedIcZWDzjo_MafLVho0ZBRXw_V8/s320/Profile+Picture.JPG" width="214" /></a><a href="http://tokarskagallery.co.uk/changingspaces">http://tokarskagallery.co.uk/changingspaces</a><br />
<br />
<h3>
<b>Preview: <span style="font-size: small;"> <span style="font-weight: normal;"><span lang="EN-US" style="font-family: Arial;">Thursday 24
October 2013 at 7pm</span></span></span></b></h3>
<br />
Exhibition Date: 24 October - 2 November<br />
General open times: Thursday - Saturday, 12pm - 7pm or by appointment <br />
<br />
163 Forest Rd<br />
Walthamstow<br />
London, E17 6HE<br />
<br />
Nearest Tube: Blackhorse Lane on the Victoria Line. 5 minute walk from tube<br />
<br />
<br />Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0163 Forest Road, London, Greater London E17 6HE, UK51.5878623 -0.03529170000001613551.5866293 -0.037813200000016138 51.5890953 -0.032770200000016132tag:blogger.com,1999:blog-476314273936326181.post-52814081138475631462013-07-22T08:29:00.003-07:002013-07-22T08:30:42.908-07:00Art In The ParkThe Lee Valley Park Authority has created a link on their web-site which provides information about public artwork which can be viewed at the Waterworks Nature Reserve in Leyton. <a href="http://www.visitleevalley.org.uk/en/content/cms/nature/nature-reserve/waterworks-nature-reserve-midd/#art-in-the-park" target="_blank">http://www.visitleevalley.org.uk/en/content/cms/nature/nature-reserve/waterworks-nature-reserve-midd/#art-in-the-park</a><br />
<br />
One of the artworks listed includes the sculpture I produced for this project 'Changing Spaces'. The sculpture is called 'Intervention'. All the sculptures listed on the Lee Valley Park web-site can be viewed for free at the Waterworks Nature Reserve.<br />
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<br />Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-86159383571852188692013-05-28T08:25:00.000-07:002013-06-15T01:44:54.937-07:00Exhbitions 2013 - 2014Over the next 8 months I will be having 2 solo exhibitions of my work in London and have been invited to show my work in 2 group shows. Details of the group shows will be posted later.<br />
<br />
The details of my 2 solo exhibition are: <br />
<h2>
Tokarska Gallery</h2>
<b>Preview: <span style="font-size: x-small;"><span style="font-weight: normal;"><span lang="EN-US" style="font-family: Arial;">Thursday 24
October 2013</span></span></span></b><br />
Exhibition Date: 24 October - 2 November<br />
General open times: Thursday - Saturday, 12pm - 7pm or by appointment <br />
<br />
163 Forest Rd<br />
Walthamstow<br />
London, E17 6HE<br />
<br />
Nearest Tube: Blackhorse Lane on the Victoria Line. 5 minute walk from tube<br />
<br />
<a href="http://tokarskagallery.co.uk/news">http://tokarskagallery.co.uk/news</a><br />
<br />
<h2>
Rich Mix</h2>
<b>Preview: <span style="font-size: x-small;"><span style="font-weight: normal;"><span lang="EN-US" style="font-family: Arial;">9 January 2014</span></span></span></b><br />
Exhibition Date: 6 January - 31 January 2014<br />
General open times: See web-site for details<br />
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<br /></div>
<div style="text-align: justify;">
35 - 47 Bethnal Green Road<br />
London<br />
E1 6LA</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.richmix.org.uk/" target="_blank"> http://www.richmix.org.uk/</a></div>
Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-68991978163170578512012-12-06T03:48:00.000-08:002013-03-25T06:44:55.155-07:00What Next: Life After Changing Spaces<div style="text-align: left;">
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</style><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Since
developing the concept and artwork for my project, 'Changing Spaces' I have
been thinking about the term regeneration. In reality this is what 'Changing
Spaces' as a project was about, taking something old and turning into something
new. The term ‘regeneration’ is now in common usage and has impacted directly
and indirectly on lives and communities, especially those in urban areas
considered in need of change. The term suggests progress or renewal and
something unquestionably deemed as a positive outcome. In the contemporary context, regeneration has
become associated specifically with the construction of new urban developments,
delivering sustainable communities and creating a greater sense of place, and
economic growth. </span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Since
the 1990's artists have played a role in regeneration through government policy
such Section 106. Within Section 106 town planners and developers had the
facility to commission public art, but specifically ‘outdoor site-specific art'. Although artists benefited from Section 106
funding, the brief many artists had to follow gave them very little scope for
analysis and risk-taking. An expectation
of conformity with a pre-designed vision to produce work that would 'fit’ into
the vernacular resulted in work that was architectural rather than creatively
interpretive.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Over
the next few months I will de-constructing and analyse the term, ‘regeneration’
and using it as the context for the production of new work. My new work will be <span style="font-size: small;">available</span> to see in up and coming solo <span style="font-size: small;"><span style="font-size: small;">exhibitions late summer 2013 and the <span style="font-size: small;">beginning</span> of 2014.</span> </span> </span></span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">If you would like to purchase any of my work please go to: <a href="http://jonathanodea.blogspot.co.uk/">http://jonathanodea.blogspot.co.uk/</a></span></span></div>
Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com2tag:blogger.com,1999:blog-476314273936326181.post-88800368847850209262012-10-01T10:21:00.000-07:002013-01-17T05:38:14.720-08:00Review by Michelle DoustI had the pleasure of viewing some of Jonathan's work in his studio in
Walthamstow a couple of weeks ago. The textures and composition of the
Changing Spaces works stimulated not only my visual senses but also
provoked a desire to touch the work in order to explore its various
components. I was particularly struck by the contrast within each piece;
monochrome and “quiet” backgrounds interrupted, sometimes brutally so,
by the imposing structures of the objects Jonathan had sourced from the
Lee Valley. I interpreted this as though the calm surroundings (nature)
had had its tranquility and natural order shattered by the found objects
(man-made materials/industry). <br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjegjptP8Ucc9HEgcLTDIKssBqB1r7Kbp_reTIe3N4xLIge-0Q-vwQD3pYjw59P_eq3031SkbYpieG60jLMGoyVVKOrSYmCOIIJKNCVvcWYGhmnvhXWHpc19hU9Ytxys8tYt31RV3uTFRI/s1600/Untitled+Box%252C+Assemblege%252C+43x38cm.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjegjptP8Ucc9HEgcLTDIKssBqB1r7Kbp_reTIe3N4xLIge-0Q-vwQD3pYjw59P_eq3031SkbYpieG60jLMGoyVVKOrSYmCOIIJKNCVvcWYGhmnvhXWHpc19hU9Ytxys8tYt31RV3uTFRI/s320/Untitled+Box%252C+Assemblege%252C+43x38cm.JPG" width="286" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Deconstructed Landscape 1</td></tr>
</tbody></table>
I was particularly drawn to the
works Deconstructured Landscape 1 and 2 which consist of painted, white
wood chips arranged, in what appears to be a gravity defying
arrangement, against a black background. Alongside the obvious colour
contrast these pieces, again, suggest a disruption of order and peace.
However, I didn’t interpret this disorder as necessarily being violent
or brutal but more of a reflection of movement and the passing of time.
The way the wood chip has been layered almost looks like they were
thrown from a box and their movement has been captured mid-air, like
fragments of time, thus capturing the concept of change and portraying
it in a very tangible outcome. <br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtmaRP1aiUIusKKwgjRsX_RiwpmR471IN06Itqy2H7toCXGmpVTNxzGJ3b94ypMsrlF-tZxtI5j7NKX-iN1j5lvXQ1n8bSYb4GPvIDVc9nRF-36FetmQgHu-EwfA0r1ts7_ArAUX9HaGI/s1600/Deconstructed+Landscape+copy.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtmaRP1aiUIusKKwgjRsX_RiwpmR471IN06Itqy2H7toCXGmpVTNxzGJ3b94ypMsrlF-tZxtI5j7NKX-iN1j5lvXQ1n8bSYb4GPvIDVc9nRF-36FetmQgHu-EwfA0r1ts7_ArAUX9HaGI/s320/Deconstructed+Landscape+copy.jpg" width="233" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Deconstructed Landscape 2</td></tr>
</tbody></table>
<br />Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-8639894485054965202012-06-28T08:17:00.000-07:002013-01-17T05:38:14.716-08:00Changing Spaces - A Review<br />
<b>Changing Spaces - A Review</b><br />
<b>by <a href="http://www.naturestrikesback.com/" target="_blank">Valerie Grove</a> </b><br />
<br />
<br />
Although I was closely involved in this project, my role in monitoring and documenting both the process and progress of <a href="http://wwwchangingspaces.blogspot.com/">Changing Spaces</a> was defined by my collaboration with the artist, <a href="http://www.jonathanodea.com/">Jonathan O’Dea</a>, and by my focus on editorial clarity in relation to the project’s online presence. As a consequence, I didn’t actually form an opinion of the work. However, now that the project brief has been fulfilled I can actually take a step back and approach the work, and the exhibition as a whole, from an analytical perspective rather than one of practicality.<br />
<br />
This transition has been easier than anticipated for several reasons. Firstly, out of a total of 12 works I had only seen 3 in their finished state. The others I saw only in stages, either in the studio, or on-site in the case of the sculpture. It was only on completion of the hanging that I was able to see the totality of the project. So despite my familiarity with the sometimes literal nuts and bolts of the work and their contextual background, the exhibition itself was an unexpectedly original experience. The same applied to the sculpture. After documenting the early stages and the positioning of the piece, I had purposely avoided seeing it in its final state so this was also like seeing something fresh.<br />
<br />
An understanding of the component parts of something does not necessarily entail an accurate perception of the complete and functioning whole. This applies particularly to the fact that the 11 wall-mounted works were united from the outset within a conceptual framework and therefore needed to cohere as a single visual entity, as well as stand as individual works in their own right.<br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAeYA1USF2RVPhbw4JBf5CAeVSvmjxx2JvetYti5CIw6gFTS2lLpmw6Mza9vmqMkNZb-p57syMbvHsVsNWLRr-kLYio5Z3tPa7ZBjyhhSy-V6QlSbE11AmwTXJgUp956kDJsU9S5eqUdI8/s1600/grinder.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAeYA1USF2RVPhbw4JBf5CAeVSvmjxx2JvetYti5CIw6gFTS2lLpmw6Mza9vmqMkNZb-p57syMbvHsVsNWLRr-kLYio5Z3tPa7ZBjyhhSy-V6QlSbE11AmwTXJgUp956kDJsU9S5eqUdI8/s200/grinder.JPG" style="cursor: move;" width="91" /></a><br />
In terms of individuality each piece largely succeeded. Grouped according to size and united in monochromatic and sometimes textural, material or structural motifs, the works were not only visually striking but created atmospheres that were not always comfortable. In the case of <i>Modification</i>, for example, an electric grinder with jagged holes gouged deeply into the handle had a rather disturbing undercurrent of violence not completely offset by the control imposed through its pristine, if texturally erratic, white surround.<br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVXcydGzDLM0gm06fonQFfyH6VsTVSdBnYyGg9bAJ-_4FRphR4jXXZGgWIqKvxp8B7G85SdE097FXOScNn3z6npb-7Ts8-_vHn4OY_YF4dleYX3Xzi8VnWg2qNU23GvNY4h5exaK7qihqR/s1600/implode.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVXcydGzDLM0gm06fonQFfyH6VsTVSdBnYyGg9bAJ-_4FRphR4jXXZGgWIqKvxp8B7G85SdE097FXOScNn3z6npb-7Ts8-_vHn4OY_YF4dleYX3Xzi8VnWg2qNU23GvNY4h5exaK7qihqR/s200/implode.JPG" width="196" /></a>This was also the case with the sharp wooden symmetry of angles exploding menacingly from the centre of <i>Transmutation 1</i>. However, the tension inherent in this work was balanced beautifully by its companion piece <i>Transmutation 2</i>, in which an ‘implosion’ created both a sublime visual spectacle and a range of imaginative possibilities.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg71vinx5QPuTXghbYFJ6S-eLKvMIkhz2iaHRmfEK3rUBquPGxGpAqniV_JFWddpvcN3kHzEU4A81DW4OO8-g525e2CSlglVWKnqtE0r5wZIkM7kSaPSoiNQaIWYzLI6e93ZV9OmRt6viJB/s1600/radiator.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg71vinx5QPuTXghbYFJ6S-eLKvMIkhz2iaHRmfEK3rUBquPGxGpAqniV_JFWddpvcN3kHzEU4A81DW4OO8-g525e2CSlglVWKnqtE0r5wZIkM7kSaPSoiNQaIWYzLI6e93ZV9OmRt6viJB/s200/radiator.JPG" width="131" /></a>This balance is evident throughout the show. Each work seems to be displayed with a particular companion. <i>Transfiguration</i> and <i>Industrial Landscape 1</i>, for example, contain familiar objects like breeze blocks, air vents and radiator parts, but where one suggests imprisonment, or an entrance into somewhere you probably don’t want to go, the quiet beauty of the other relieves and reassures.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHD3SIW1XBIWO4ks_F1tTQt7F4n_QyKxY4BLo9MNzhwKFsagb0T5zBLcSYijgsG2GX3zLLPSRyO97OpLNkJpyfFZE3nbSC1P5NsE8gPSM5D7oB9a9gRu_IuvOlBgYN1TNhYcqnDlnDalX0/s1600/valve.JPG" imageanchor="1" style="background-color: white; clear: right; display: inline !important; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHD3SIW1XBIWO4ks_F1tTQt7F4n_QyKxY4BLo9MNzhwKFsagb0T5zBLcSYijgsG2GX3zLLPSRyO97OpLNkJpyfFZE3nbSC1P5NsE8gPSM5D7oB9a9gRu_IuvOlBgYN1TNhYcqnDlnDalX0/s200/valve.JPG" width="100" /></a>The three works that use the larger objects found in the Olympic and Lee Valley Parks are grouped together in a way that highlights both their industrial sensibility and their complete transformation. <i>Industrial Landscape 2</i> memorialises a solid iron pipe which was once part of a Victorian heating valve. <i>Changing Spaces 2</i> contains a perfectly straight line of London bricks split down the middle with an inlay of wood so polished it looks like metal. In <i>Changing Spaces 1</i>, however, a black pallet is convexly inlaid with a gravity defying circle of sharp, white wood chips. These seem incongruous as part of the piece itself but they constitute a motif that connects to the two other pieces in the show, <i>Deconstructed Landscape 1</i> and <i>2.</i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJA_6xFL_m3OnhFpsU66-pUZILBSXqprF0IpPzD-gowMdS9svun137-aemW7RT3jgd_pDFda9YKbyBLz-JO_TIDHu3a7s5qJS7P8V5sm8zzLxQubg-6X8tgEscypV5moCf-br6OqcqIP57/s1600/chips.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJA_6xFL_m3OnhFpsU66-pUZILBSXqprF0IpPzD-gowMdS9svun137-aemW7RT3jgd_pDFda9YKbyBLz-JO_TIDHu3a7s5qJS7P8V5sm8zzLxQubg-6X8tgEscypV5moCf-br6OqcqIP57/s200/chips.JPG" width="146" /></a></div>
The fragility and delicacy of these tiny splintered objects and their complex arrangements seem to be a huge material and compositional contrast to the solidity and weight of other works, but conceptually they are in tune. They are both shattered and composed simultaneously, which informs the sense of post-industrial dystopia that pervades this show. There is a constant negotiation between violence and control with the objects themselves looking like the remnants of a lost civilization that now command an awkward combination of nostalgia, reverence and fear.<br />
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The show definitely makes the best of the space at the Waterworks. There is a degree of material compatibility in the grey metal grids and wooden wall frames which are effective as backgrounds to each group of works. However, it was frustrating that the impact of the collected works as one conceptual installation piece was completely disrupted. This is not a gallery but an educational area of a nature reserve, so it was inevitable that the existing contents of the space would be battling for domination. It was possible to catch glimpses of how the works in Changing Spaces interlaced and created their own environment, but these glimpses just added to the frustration. I have seen several exhibitions at the Waterworks space and it is ideal for group shows containing a diverse and colourful mix of works that stand alone and do not require visual cohesion. Inherent in Changing Spaces, however, is the kind of conceptual visualisation that actually requires a traditional white cube space to be fully realised.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6543Q4Z_oYjU_YMUCFQhpPJ7SahQaF9jKS8Xl4is0AhoD4dQHvb3HtMMcjWO-iiYl9MOiBvfSRyFCFkQf1YnnOiEsjob0vvHgugYw3rYorXaACoe-oEAcbJvlk8k0QUENK9zqTNE7cEq/s1600/roomview1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6543Q4Z_oYjU_YMUCFQhpPJ7SahQaF9jKS8Xl4is0AhoD4dQHvb3HtMMcjWO-iiYl9MOiBvfSRyFCFkQf1YnnOiEsjob0vvHgugYw3rYorXaACoe-oEAcbJvlk8k0QUENK9zqTNE7cEq/s320/roomview1.JPG" width="320" /></a></div>
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The sculpture on the other hand is in the perfect location. Created from a whole tree trunk, <i>Intervention</i> stands outside in leafy surroundings a short walk from the main building. Although connections to the exhibition inside are evident in the materials and in the aesthetics of preservation and even fossilisation, there is a sense of this being a separate project. That said, the sculpture does have a similar post-apocalyptic feel but it seems more a triumphant survivor than a cadaverous artefact of loss.<br />
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Location and the use of wire mesh and steel straps, means that it changes constantly according to the elements consolidating its vibrancy. In the sunlight it glints and glitters and the rain brings streaks of rust from the nails hammered like ceremonial armour into the top of the trunk. The inevitability of change clearly written into this work is also a celebration of natural cycles and renewal and is both positive and forward looking. Much of the work inside does not allow the viewer that luxury. It is perhaps within this tension that the project is complete.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN5nUHl5tBHCR9GKic2iRDMgQrkaW9UVQ9xkHAR2CqXpOlwkEnjDU89uv5UDGx6jrQBwiT5rw0guP84aIaHVZK9maD4JlMFgqKrUP6pH8SZUid1bNXIm1CTV9k0qB67ZxsChhNJuJ8wVlP/s1600/tree+standing.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN5nUHl5tBHCR9GKic2iRDMgQrkaW9UVQ9xkHAR2CqXpOlwkEnjDU89uv5UDGx6jrQBwiT5rw0guP84aIaHVZK9maD4JlMFgqKrUP6pH8SZUid1bNXIm1CTV9k0qB67ZxsChhNJuJ8wVlP/s320/tree+standing.JPG" width="192" /></a></div>
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<span style="background-color: white;">Originally published on </span><a href="http://naturestrikesback.blogspot.com/" style="background-color: white;" target="_blank">Nature Strikes Back</a>, <span style="background-color: white;">June 22nd</span><span style="background-color: white;"> 2012.</span></div>Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-22880080711375827352012-06-26T04:28:00.001-07:002013-01-17T05:38:14.666-08:00Images of some of the final artwork<div class="separator" style="clear: both; text-align: left;">
Here are some images of the final artwork from the project.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9l7Yb-QitqBRLNUayRY3tmk_FBOy-ioHmIaSj_i-ZCskLyMDJJ934toFzivHdj2AAvU9-RCFOHQNlkqKk9Rug2llrJ2HmPUA3HoARDGBnJdj3Y2Y51y4ZX8dyWZaNxsXK3FQQjHvK9oI/s1600/DSC_0016_293.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9l7Yb-QitqBRLNUayRY3tmk_FBOy-ioHmIaSj_i-ZCskLyMDJJ934toFzivHdj2AAvU9-RCFOHQNlkqKk9Rug2llrJ2HmPUA3HoARDGBnJdj3Y2Y51y4ZX8dyWZaNxsXK3FQQjHvK9oI/s320/DSC_0016_293.JPG" width="320" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIiYclpj4wOvaZ3ejEHyra78ljdM4LioAY3Mpw62UvSGOSsQmz8OljO51Cdja0Cp9MRSyIb58ohBX8q2GetCtNFKqgrmYOhiSTKRi_AADjH_PBz2G2hwm716KUXr6sTPycBxAMw3vkIig/s1600/DSC_0002_279.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIiYclpj4wOvaZ3ejEHyra78ljdM4LioAY3Mpw62UvSGOSsQmz8OljO51Cdja0Cp9MRSyIb58ohBX8q2GetCtNFKqgrmYOhiSTKRi_AADjH_PBz2G2hwm716KUXr6sTPycBxAMw3vkIig/s320/DSC_0002_279.JPG" width="318" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Transmutation 2, Wood on Board, 80x80cm, £3000</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHgMYk39wJmwyTjghGQ6GasXWTUYH72RIBiwBqOTL8AEbWp3QBwEj6jst0XMSHPGLk-lmPnkV-aIp8XBHWWhbNa_GilR8WWPx9lcpYSgHVI250RotVAI4ktVhBAmSRsDiMWDFaBNtAhGU/s1600/DSC_0006_283.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHgMYk39wJmwyTjghGQ6GasXWTUYH72RIBiwBqOTL8AEbWp3QBwEj6jst0XMSHPGLk-lmPnkV-aIp8XBHWWhbNa_GilR8WWPx9lcpYSgHVI250RotVAI4ktVhBAmSRsDiMWDFaBNtAhGU/s320/DSC_0006_283.JPG" title="" width="316" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Transmutation 1, Wood on Board, 80x80cm, £3000</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjegjptP8Ucc9HEgcLTDIKssBqB1r7Kbp_reTIe3N4xLIge-0Q-vwQD3pYjw59P_eq3031SkbYpieG60jLMGoyVVKOrSYmCOIIJKNCVvcWYGhmnvhXWHpc19hU9Ytxys8tYt31RV3uTFRI/s1600/Untitled+Box%252C+Assemblege%252C+43x38cm.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjegjptP8Ucc9HEgcLTDIKssBqB1r7Kbp_reTIe3N4xLIge-0Q-vwQD3pYjw59P_eq3031SkbYpieG60jLMGoyVVKOrSYmCOIIJKNCVvcWYGhmnvhXWHpc19hU9Ytxys8tYt31RV3uTFRI/s320/Untitled+Box%252C+Assemblege%252C+43x38cm.JPG" width="286" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Reconstructed Landscape, Painted Wood Chippings in Box, 43x38cm, £3000</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMwiZjvjLF2f_dplgLHSV8DEZS8wwsIoyjuRAFveSVs4iiazJq2TNaKvmoTZnKk6nZv8FXl3k0roKEjTaZl9pGEXG_e1FJESI3dRt3GFh5SVYK5Xs13gRiCbbR-NAAc2NiPuPBAvtfVaM/s1600/DSC_0012_289.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMwiZjvjLF2f_dplgLHSV8DEZS8wwsIoyjuRAFveSVs4iiazJq2TNaKvmoTZnKk6nZv8FXl3k0roKEjTaZl9pGEXG_e1FJESI3dRt3GFh5SVYK5Xs13gRiCbbR-NAAc2NiPuPBAvtfVaM/s320/DSC_0012_289.JPG" width="251" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Transfiguration, Theramlite Block with Air-vent, 64x50cm, £3000</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7Ae-ZEkhyIjjSKTjq4SakOasvn2ujNQK3QEW8qoddpEZm8Dxj1zGieAPqAWyRvzLp-qamJUCVMJWUJxM14r1bviCHj23DwqnQiEqKykjkyyfZhmquxv3D6sBRn5_9Dj6ckYmG7JJwGFE/s1600/DSC_0013_290.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7Ae-ZEkhyIjjSKTjq4SakOasvn2ujNQK3QEW8qoddpEZm8Dxj1zGieAPqAWyRvzLp-qamJUCVMJWUJxM14r1bviCHj23DwqnQiEqKykjkyyfZhmquxv3D6sBRn5_9Dj6ckYmG7JJwGFE/s320/DSC_0013_290.JPG" width="159" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Leaded Tree, Log and Lead, 73x35cm, £2800</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEithbxUx7oga31BPQjm_mkhuVB-Wty-Sw6sMpUGgukQBwPo3qiLf3MUaMeNsG7BcQ0GVRv852_GqW7s41wZmEYcCemcRISqFZoI8z4pssYjK9E6z2IjBAngZccLS6a1Tzs1w5brVikTWQY/s1600/DSC_0014_291.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEithbxUx7oga31BPQjm_mkhuVB-Wty-Sw6sMpUGgukQBwPo3qiLf3MUaMeNsG7BcQ0GVRv852_GqW7s41wZmEYcCemcRISqFZoI8z4pssYjK9E6z2IjBAngZccLS6a1Tzs1w5brVikTWQY/s320/DSC_0014_291.JPG" width="208" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Industrial Landscape 1, Fridge Radiator on Board, 72x47cm, £3500</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinzuCgSRnhU5ENiCKWNKBHfQ7fohst217VH90A8zFK6TWr5epn-UPBcRX0ZsIMm5bSQfuh285zpk2kmF3UPfENS2iFIh9l-09e5YbW8idwpVauq9nlaiPyVzycJm9_VNu1-ZfrbvOXURQ/s1600/DSC_0015_292.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinzuCgSRnhU5ENiCKWNKBHfQ7fohst217VH90A8zFK6TWr5epn-UPBcRX0ZsIMm5bSQfuh285zpk2kmF3UPfENS2iFIh9l-09e5YbW8idwpVauq9nlaiPyVzycJm9_VNu1-ZfrbvOXURQ/s320/DSC_0015_292.JPG" width="203" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Modification, Grinder on Board, 72x46cm, £3500</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghIYO3AT41oGz-Q7wlZYwwclAnFARGjLa1Q7-6CD51Yt2oLtt2EvDpDjULfg3em-pMormk_0m4Z3pAUh0Rsb-9JaO5DNBjxiXABozMiy9KT2LMV-rUgjseny2TbwwYhd5W7lRn48KdC0c/s1600/DSC_0022_299.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghIYO3AT41oGz-Q7wlZYwwclAnFARGjLa1Q7-6CD51Yt2oLtt2EvDpDjULfg3em-pMormk_0m4Z3pAUh0Rsb-9JaO5DNBjxiXABozMiy9KT2LMV-rUgjseny2TbwwYhd5W7lRn48KdC0c/s320/DSC_0022_299.JPG" width="183" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Changing Spaces 2, Brick on Board, 122x69cm, £4500</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMDu9VnAYFTN-y4KDOe5CeNIjxCB_HsJkbjjTLIB214AaAXyBVSSKGtIJX1JfsIoD4kKPN9tJLXvYWu4-JE8ORB0t-Y8ZTKH8Svd6IiTeJPDfAfpn5A6Sf9m_fQ2tyHJSAZDpz1S_wGyk/s1600/DSC_0025_302.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMDu9VnAYFTN-y4KDOe5CeNIjxCB_HsJkbjjTLIB214AaAXyBVSSKGtIJX1JfsIoD4kKPN9tJLXvYWu4-JE8ORB0t-Y8ZTKH8Svd6IiTeJPDfAfpn5A6Sf9m_fQ2tyHJSAZDpz1S_wGyk/s320/DSC_0025_302.JPG" width="184" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Industrial Landscape 2, Industrial Pipe on Board, 122x69, £4500</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Changing Spaces 1, Wooden Pallet and Wood Chippings, 122x69cm, £4500</td></tr>
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<br />Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com2tag:blogger.com,1999:blog-476314273936326181.post-51122157396810436152012-06-22T04:23:00.003-07:002013-01-17T05:38:14.691-08:00Review by Thomas HardyWalthamstow based artist Jonathan O’Dea opened his new exhibition this weekend at the Waterworks in the Lee Valley Park. I’ve known
Jonathan for a few years now and we’ve spent the odd evening in the Rose
and Crown talking, I am sure very wisely, about art and music, amongst
other things. One subject we both keep returning to is Waltham Forest’s
position on the <a href="http://fromtheedge.org/" target="_blank">edge of the city</a> – and the way that this perhaps denies
this part of London the identity and attitude of its East London
neighbours, or the home counties security of adjoining Essex.<br />
<br />
The first exhibition I saw of Jonathan’s work seemed to me to
directly reflect these themes – a series of abstract landscapes on whose
horizons shimmered objects which may have been trees, or could have
been industrial buildings. Perhaps these were echoes of this part of the
East End’s memories – of the factories and warehouses which were
cleared from the Lee Valley when work began on the Olympic Park, or
maybe they were natural features which have been covered up by the urban
sprawl – future echoes from the utopian world of William Morris’s News
from Nowhere.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiFk68W8HNauTcmjk6Ox5hjjh5MB7piytzFw9rE7NYPSTljCbRYpdUbkWuOHsUXhHB9XRWjBEIOr-ra36WytFvWu8xRLfoKR_VP1lY4sz1jHK7GxfhcDmQsN3EoVW5nJMRFuQWoXYhMgY/s1600/'London+is+London,+England+is+England+1%27,+2010,+Oil+on+Canvas,+100x100cm,+Jonathan+O%27Dea.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiFk68W8HNauTcmjk6Ox5hjjh5MB7piytzFw9rE7NYPSTljCbRYpdUbkWuOHsUXhHB9XRWjBEIOr-ra36WytFvWu8xRLfoKR_VP1lY4sz1jHK7GxfhcDmQsN3EoVW5nJMRFuQWoXYhMgY/s320/'London+is+London,+England+is+England+1%27,+2010,+Oil+on+Canvas,+100x100cm,+Jonathan+O%27Dea.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Title: London is London, England is England</td></tr>
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When I visited Jonathan in his studio a few weeks ago those landscape
canvasses were stacked in racks in the corner – and he has clearly
compartmentalised that work mentally as well as physically. The pieces
he was working on for this exhibition are strikingly different. Jonathan
has had free reign to remove junk and waste from the Lee Valley park
and has produced a series of pieces using materials he has found there,
or reclaimed from disused rooms in warehouses. Wooden pallets have been
transformed into organic looking structures, bricks neatly mounted,
painted, and then partially annihilated. Wooden materials are made to
look metallic and old disused pipe work is newly painted.<br />
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The most ambitious piece in the show will be a large site specific
sculpture in which a slowly decaying tree is encased in a wire mesh.<br />
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As this piece rises at the edge of the glistening Olympic park and
those transformed pieces of rubbish are mounted as artworks near to
where they were once abandoned, this show promises to encourage viewers
to reflect on the way we change and transform the landscapes around us,
to imagine how the ground beneath our feet was once different, and
wonder how future generations will transform the places we know so well.<br />
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<a href="http://fromtheedge.org/" target="_blank">See Thomas Hardy's blog: From the Edge</a>Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-3154109860620606622012-06-18T03:51:00.004-07:002013-01-17T05:38:14.673-08:00Opening DayThanks to everyone who came to the opening. It was great to see so many people there. If you have any photos or comments please send to me and I'll post them up on the blog. <span style="background-color: white;">See link below for local press coverage: </span><a href="http://www.guardian-series.co.uk/news/wfnews/9766306.LEYTON__New_sculptures_unveiled_at_nature_reserve/" target="_blank">New Sculptures unveiled at Nature Reserve</a><br />
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<tr><td class="tr-caption" style="text-align: center;">Mayor of Waltham Forest, Richard Sweden opening the exhibition<br />
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<tr><td class="tr-caption" style="text-align: center;">Jonathan O'Dea and the Mayor of Waltham Forest Richard Sweden unveiling the site specific sculpture: <i>Intervention</i><br />
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<tr><td class="tr-caption" style="text-align: center;">Visitors making their way down to the sculpture site</td></tr>
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<br />Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com7tag:blogger.com,1999:blog-476314273936326181.post-73865922300501825682012-06-15T09:42:00.001-07:002013-01-17T05:38:14.711-08:00Notes from a a hanging<div class="separator" style="clear: both; text-align: left;">
<span style="font-weight: bold;">Q) Congratulations. It's all hung and ready to go. Apart from the sculpture how many works did you end up producing and are you happy with the way things look?</span>
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Thanks. I ended up with a total of eleven wall mounted works now hanging neatly in the Waterworks! Given the size constraints of my studio, it wasn't until the day of the hanging that I could actually see the eleven works together in a large enough space for them all to be visible. So I was really quite nervous about how things would work out and whether the individual pieces would cohere as a single conceptual show within the space.<br />
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So I am very happy and relieved at how smoothly the hanging went and how the show looks. It is great to finally be able to see it all together but I have to say a huge thanks to Neil Irons who helped me to hang the show.<br />
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There are a whole list of people I would like to thank actually so here goes....
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<ul>
<li>Arts Council England for funding the project </li>
<li>All the team from the Waterworks Nature Reserve and Lee Valley Park Authority especially Angela Oliva, Manager at the Waterworks and Dave Farthing, Waterworks Park Ranger (who is now an expert in conceptual art!) </li>
<li>The ODA who gave me access to the Olympic Park which helped inform the development of the project </li>
<li>Neil Irons who continues to be a positive critic of my work and ensures I don't mess it up totally! </li>
<li>Valerie Grove who has done a brilliant job in conveying the project and the artwork through this blog </li>
<li>Tim Bennett Goodman who has always been a very good friend and support to me, and the wider cultural community of Waltham Forest </li>
<li>Thomas Hardy for his support and advice and for being a big fan of my work. </li>
<li>Andy Rogers, the Irish Embassy in Britain and also the Irish World Newspaper for support and encouragement</li>
<li>Fiona Audley and Malcolm McNally from the Irish Post Newspaper </li>
<li>George Nott from the Waltham Forest Guardian </li>
<li>And finally ..... Sarah Morgan, who has constantly been there for me. </li>
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Thank you all very much and see you tomorrow! </div>
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<br /></div>Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com1tag:blogger.com,1999:blog-476314273936326181.post-60026343152066337432012-06-14T08:50:00.000-07:002013-01-17T05:38:14.694-08:00Turning on the Waterworks<div class="separator" style="clear: both; text-align: center;">
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The exhibition opens on Saturday and I was helping out with the hanging today so thought I would just give a quick profile of the <a href="http://www.visitleevalley.org.uk/en/content/cms/outdoors/golf/waterworks-golf-centre/" target="_blank">Waterworks Nature Reserve </a>especially in relation to art, artists and this exhibition in particular.<br />
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The Waterworks Nature Reserve opened ten years ago. Part of the huge <a href="http://www.visitleevalley.org.uk/" target="_blank">Lee Valley National Park</a>, the Waterworks has a team around it consisting of conservationists and experts in wildlife habitats, woodlands and local history which includes the fascinating <a href="http://www.tiredoflondontiredoflife.com/2010/11/wander-middlesex-filter-beds.html" target="_blank">Middlesex Filter Beds.</a> It also has a small but perfectly formed golf course and a lovely, quiet and comfy cafe!<br />
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Since 2010 the educational area of the centre has been opened up for artists
providing a unique, local exhibition space in an area which has an almost complete lack of them. The person to thank for this is Angie Oliva who is manager at the Waterworks. I asked her about art, the Waterworks and Changing Spaces and this is what she said:<br />
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I thought we had a really nice building and that we could definitely use it much more for the local community as well as help to introduce a new audience to the Lee Valley Park. For me it's all about nature, the environment and expressing yourself ...... and I really like art! </blockquote>
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We are all delighted to be hosting <i>Changing Spaces</i>. Jonathan's work is very beautiful and I love the sculpture! I love that it's natural - that it's a whole tree - but I also love the fact that it's actually free. It's not entangled in anything and there's nothing else to distract you from it. You can just see it exactly for what is.</blockquote>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNDWR9Bv0rz9i4mPh4S9-BlZu_SYKYP4DptbcqEtwofPfX-ncpenBX__4mvkNUTa2ILJBU9ypxvJ_22FpyJ0Qz9MjmBPVmIpWmszeGXEO5fJgaJiZQaTIEq7fluRo_VwRCEJ10DqjjHSQ/s1600/waterworks+interior.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="141" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNDWR9Bv0rz9i4mPh4S9-BlZu_SYKYP4DptbcqEtwofPfX-ncpenBX__4mvkNUTa2ILJBU9ypxvJ_22FpyJ0Qz9MjmBPVmIpWmszeGXEO5fJgaJiZQaTIEq7fluRo_VwRCEJ10DqjjHSQ/s200/waterworks+interior.JPG" width="200" /></a></div>
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<i><span style="font-size: x-small;">Valerie Grove</span></i>Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-36351157236414759742012-06-12T07:24:00.001-07:002013-01-17T05:38:14.681-08:00Intervention<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFqdirExKgx9QNUXuYYlmoAkssaBxqPFp976CU1I8AgXsTclR3dtTlQt9CooG_oeGDaEA715K-jmsKxbFJBweyqcerJr9PymRdlwuCtnALjXbSM7-RlkifCe-4fmDgshDXqSA1rwR2LGI/s1600/DSC_0006_148.JPG" imageanchor="1" style="clear: left; display: inline !important; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFqdirExKgx9QNUXuYYlmoAkssaBxqPFp976CU1I8AgXsTclR3dtTlQt9CooG_oeGDaEA715K-jmsKxbFJBweyqcerJr9PymRdlwuCtnALjXbSM7-RlkifCe-4fmDgshDXqSA1rwR2LGI/s320/DSC_0006_148.JPG" width="212" /></a>While working on-site creating this sculpture (which I have titled <i>Intervention</i>), I had at least two hundred passers-by stop and ask me what I was doing.<br />
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99% of the comments and feedback they gave me were very positive and people liked the concept behind the work. I did get one person who wasn't impressed with what I was up to but after a few minutes of lively discussion, even this person walked away having reconsidered.<br />
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Before I had started work on this piece I knew it had to be very different from the blandly typical sculptures that are usually made from trees. The fact that my tree had started to rot forced me even further along the trajectory of something new and different and I am delighted with how things evolved<br />
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However, I never expected that what I ended up with would capture the imagination of so many people. Many of those I spoke to in the course of making this work asked if I would be making more sculptures of this kind. This is not only a very hopeful sign of future possibilities for my work but is also quite gratifying in the sense that such genuine public interest makes me feel that I have really done my job as an artist.Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0tag:blogger.com,1999:blog-476314273936326181.post-73453076041349837902012-05-31T07:11:00.001-07:002013-01-17T05:38:14.708-08:00From Poplar to Sculpture<u>Progress Report by <a href="http://www.naturestrikesback.com/" target="_blank">Valerie Grove </a></u><br />
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Over the course of the past few months I have been closely monitoring the progress of 'Changing Spaces'. As well
as regularly talking to Jonathan, I have made two studio visits and three sculpture site visits, all of which I have visually documented. <br />
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My three sculpture site visits have been very different. On the first visit I found a poplar tree trunk laying on the damp grass shedding its crumbly bark and soft wood along with a whole host of insect inhabitants.<br />
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<span style="text-align: left;">By the time of the second visit it was obvious that the original plan for the sculpture (carving and inserting painted bricks) would have to be abandoned because of the unstable condition of the wood. When I arrived at the site I found Jonathan already well under way with <a href="http://wwwchangingspaces.blogspot.co.uk/2012/05/problem-with-site-specific-sculpture.html" target="_blank">Plan B</a>, which involved removing the most rotten parts of the trunk, wrapping the whole thing in wire mesh and stabilising it with steel straps.</span><br />
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Today was my third site visit and although the sculpture is not yet finished, it is now upright and in its final position. Getting it there was a complicated operation and involved the assistance of several people and a mechanical digger to lift and move the sculpture, then lower it into position so that it could be placed upright in the hole dug manually by Jonathan last week.<br />
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The whole operation took about an hour and it would not have been possible without the actual physical and mechanical support of the team at the <a href="http://www.visitleevalley.org.uk/en/content/cms/nature/nature-reserve/waterworks-nature-reserve-midd/" target="_blank">Waterworks Centre</a> and the Lee Valley Park. At this stage it is very clear not only how much work has gone into creating the sculpture, but also just how collaborative the process has been.<br />
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I will do a final site visit to see the completed work shortly before the exhibition opens on June 16th.<br />
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<br /></div>Jonathan O'Deahttp://www.blogger.com/profile/14644177572422738951noreply@blogger.com0