1. Up until this point all of your work has been 2D and all has been painting. Although there have been changes in your painting style over the years this project seems to mark a major shift in your artistic development. How did this move to 3D emerge?
In 2009 I produced several paintings in which the surfaces were very thickly layered and the paint was actually applied over other materials such as corrugated card inlaid into MDF. I left parts of the underlying materials exposed which revealed the depth of the layers and actually gave the appearance of 3D sections within the flat surface of the whole work. This was important because it was transitional work which really brought my interest in 3D into focus.
I was fascinated by the physical scale of the development of the Olympic Park and its structural complexities and was lucky to be given an opportunity to visit the Park in its development stages. The ODA and the Lee Valley Park subsequently provided me with materials to produce a more ambitious body of work and the Lee Valley Park then offered me an exhibition as part of their 2012 programme. So this is my first real opportunity to just focus on producing 3D artwork and is how Changing Spaces has emerged.
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